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Thursday, October 4, 2012

LAURA NYRO

LAURA NYRO
 

I am not interested in conventional limitations when it comes to my songwriting, because for instance, I may bring a certain feminist perspective to my songwriting, because that's how I see life. I'm interested in art, poetry, and music. As that kind of artists, I can do anything. I can say anything. It's about self expression. It knows no package- there is no such thing. That is what being an artist is.
                                                      
                                                                        ~ Laura Nyro

Upon visiting my physician's office for a follow up visit, we began a new topic...... music. We talked about artists who are overlooked when he asks, "Have you ever heard of Laura Nyro?" My mind went into over drive as I delve into my internal data bank... needles to say it came up blank. He began naming songs I recognized, I had no clue who she was. I decided to research Laura Nyro and her contribution to music. I listened to Stoned Soul Picnic and right away, I was drawn to her reflective, soulful, voice. My inquisitive nature led me to listen to more of her songs and made me a fan for life.

Listening to Poverty Train for the first time, I replayed it several more times. The song is still relevant to this day and made me realize nothing much changed since she wrote it. One can be impoverished financially, morally, mentally.... her lyrics hit tackled them all. Thought provoking, gritty, she held no punches. Such an honest piece of art that imitates life. I consider Laura Nyro a songwriters songwriter.

Daughter of Louis Nigro, a piano tuner and accomplished jazz trumpeter and Gilda Mirksky Nigro, a bookkeeper, Laura Nigro was a self taught pianist and poetry lover. She listened to her mother's Leotine Price, Billie Holiday recordings and composers Ravel and Debussy. Her talents became apparent at the age of 8 years, she composed her first song. She acknowledge the Sunday School at the New York Society of Ethic Culture as her base of education.

She attended the High School of Music and Art in New York along with classmate Janis Ian. Nyro sang Doo-Wop in the subway stations or harmonies on the street corners in the Bronx. "I would go out singing as a teen to a party or out on the street, because there were harmony groups and that was one of my joys in my youth. I mean you can go out and sing. If I look back now, all those years later, it might have had a spiritual, holistic feeling from that," explains Nyro.


She drew inspiration from Soul, Jazz, R&B, Folk, and Protest music of Pete Seeger, Joan Baez, early Bob Dylan, The Beetles, girl groups of the 50's and 60's, Nina Simone, John Coltrane, Miles Davis, Smokey Robinson and the Miracles, Curtis Mayfield and the Impressions, early Burt Bacharach -Hal Davis songs sung by Dione Warrick, and Dusty Springfield influenced how she wrote or sang a song, she adored Van Morrison.

Arti Mogull a record executive who signed Bob Dylan to his first major record deal, signed Laura to Verve in 1966. Laura experimented with several monikers, when her debut album More Than a Discovery was released, Laura Nyro officially became her stage name. Though More Than a Discovery was a critical success, it was not a commercial success. This breakthrough album became an abundance of material for artists. At the age 17, she sold the song And When I Die for $5000. Peter, Paul, and Mary recorded the song and was a hit.

At the age of 18, she made her first  professional appearance at Hungry i Coffeehouse  in San Fransico Sound. She performed at the Monterey Pop Festival (June, 1967), There was a controversy swirling about her performance, she sang Wedding Day Blues and Poverty Train. It was said she thought she was booed and decided not to perform at large venues. Lou Adler, one of the organizers looked at footage of the festival and called Nyro and said, "The only thing that came close to a boo, was Beautiful!"

David Geffin sought to be her agent, and spoke with Mogull. Nyro sued to end her management and recording contract with Verve. The suit was successful, because she was under aged when she signed. Mogull kept her earlier compositions as a result. David and Laura established Tuna Fish Music whereas they would split proceeds evenly. David Brokered a meeting with Clive Davis who offered Laura a contract with Columbia Records and allow her creative control and allows other artist to cover her songs. Eventually she gained her earlier works from Mogull thanks to Clive Davis and David Geffin.

Eli and the Thirteenth Confession (released 1968) was her sophomore effort, released on Columbia Records is to be the her best work. Stoned Soul Picnic, Poverty Train, Eli's Comin' are featured tracks on this album. New York Tendaberry (released 1969), solidified Laura's artistic credibility, it became her most successful album. Christmas and the Beads of Sweat (released 1970), is thought to bridge between her earlier works. The album features Duane Allman on guitar and Alice Coltrane on harp to give a mystical feel to her compositions. The album charted a hit single, Gerry Goffin and Carole King's Up on the Roof. 
Gonna Take a Miracle (released 1970), The fifth studio album is an all covers effort produced by Gamble and Huff with Labelle (Patti Labelle, Nona Hendryx, and Sarah Dash) as traditional back-up singers. This was her last commercially successful album. Nyro, Labelle, Gamble and Huff expertly blended genres doo-wop, soul, R&B, pop, Brill Building, and gospel. *This is one of my favorite go to Nyro albums. There is only one word to describe Gonna Take a Miracle, Brilliant!!!!!*

Following a four year hiatus from the music industry, she releases Smile (released 1976), Season of  Lights *live album* (released 1977), Columbia Records issued the album in the summer of 1977, taking songs from various locations while she toured in 1976. Nested (released1978), addresses womanhood and motherhood. She was pregnant with her son while promoting this album. Mother's Spiritual (released 1984), Laura: Live at the Bottom Line (released 1989) She went on the road to record a live album. Walk the Dog and Light the Light (released1993) The studio version Broken Rainbow, deemed Laura's most important protest song was written for the film Broken Rainbow, which won an Academy Award for best Documentary of 1985. The movie is about the unjust relocation of the Navajo People. Stoned Soul Picnic: The Best of Laura Nyro (released 1997), The two disc set considered her most thorough compilation piece of her earlier recordings, Nyro chose each track personally. Time and Love: Essential Masters (released 2000), Third retrospective album of sixteen of her most famous compositions into a single disc.

Laura Nyro was diagnosed with ovarian cancer in 1995 shortly after the release of her greatest hits album. Sadly, she succumbed April 8, 1997. She was inducted in the Rock and Roll Hall of Fame in 2012. Her music was used by The Alvin Ailey Dance Company's dance piece Cry and the Canadian Ballet used her song  Emme.  As a stellar songwriter, Laura Nyro stayed true to her art form and most importantly to herself. She wrote what she felt and when she sang it she made you take notice. She made it possible for today's singer/songwriters to sit behind a piano and be intimate and honest with their audience.

"If not for Laura Nyro, the music of Rickie Lee Jones, Joni Mitchell, and Teena Marie might have been very different. When she released her first album in 1966, Nyro was 19 years old who linked high flown poetry to the ecstatic emotions of soul music. Her singing mixed the pure tones of gospel and jazz. ~ Jon Pareles (New York Times)

ARTISTS WHO COVERED LAURA NYRO'S COMPOSITIONS

Peter, Paul, and Mary| Blood Sweat and Tears| 5th Dimension| Three Dog Night| Barbra Streisand| Chet Atkins| The Four Tops| Linda Ronstadt| Diana Ross| Frank Sinatra| Thelma Houston| Peggy Lipton| Carmen McCrae| Suzanne Vega| Phoebe Snow| Roseanne Cash| Sweet Honey in the Rock| Jane Siberry| Mongo Santamaria| Junior Walker and the All Stars| Patti Larkin| George Duke| Maynard Ferguson

 http://www.lauranyro.com/
 http://rockhall.com/inductees/laura-nyro/

 Wedding Bell Blues (live)
http://www.youtube.com/watch?v=fdBOzE1YPDM&feature=related

Poverty Train (live)
http://www.youtube.com/watch?v=0YxIGXISEi4





DISCOGRAPHY 
 http://www.discogs.com/artist/Laura+Nyro

The First Songs...

(9 versions)
Verve Forecast 1966

More Than A New Discovery

(2 versions)
Verve Folkways 1967

Eli And The Thirteenth Confession

(12 versions)
CBS 1968

New York Tendaberry

(10 versions)
Columbia 1969

Christmas And The Beads Of Sweat

(7 versions)
Columbia 1970

Gonna Take A Miracle

(10 versions)
Columbia 1971

Smile

(6 versions)
CBS 1976

Season Of Lights...Laura Nyro In Concert

(6 versions)
Columbia 1977

Nested

(7 versions)
Columbia 1978

Mother's Spiritual

(3 versions)
Columbia 1984

Laura Nyro Live At The Bottom Line

(3 versions)
Cypress Records 1989

Walk The Dog & Light The Light

(4 versions)
Columbia 1993

Angel In The Dark

(2 versions)
Rounder Records 2001

Live / The Loom's Desire

(2xCD, Album)
Rounder Records 2002

Spread Your Wings And Fly: Live At The Fillmore East May 30, 1971

(2 versions)
Columbia 2004

Singles & EPs

Stoney End / Wedding Bell Blues

(7")
Verve Folkways 1966

Goodbye Joe

(7", Single)
Verve Folkways 1967

Save The Country

(7", Promo)
Columbia 1968

Farmer Joe

(7", Promo)
Columbia 1968

Up On The Roof

(2 versions)
CBS 1970

Wedding Bell Blues

(3 versions)
Columbia 1972

Laura Nyro And Labelle - It's Gonna Take A Miracle (7")

CBS 1972

Compilations

Impressions

(LP, Comp)
CBS 1980

Stoned Soul Picnic: The Best Of Laura Nyro

(2xCD, Comp)
Columbia, Legacy 1997

Time And Love: The Essential Masters

(2 versions)
Columbia, Legacy 2000


ST. LOUIS UNDISCOVERED ARTIST: JOAQUIN MUSICK


St. Louis artist, born and reared by his mother, brother of six siblings, father of one daughter; this multi talented singer is also a producer, songwriter, rapper, and DJ. "My mother and my daughter are my source of inspiration!" exclaims Joaquin Musick. His vocals... laid back, smooth, inviting, tepid, with a hint of sensitivity are the makings of this R&B crooner.

Watching his father play drums piqued his interest in drumming, at the age of 4, Joaquin learned how to play drums. His musical influences are: Stevie Wonder, Marvin Gaye, Luther Vandross, Michael Jackson, Teddy Riley, R. Kelly, Gospel Groups, Babyface, and his cousin Kevin Dyer.

Kevin Dyer was a rapper who would take a youthful Joaquin to the recording studio along with him. Musick would ask and plea to let him rap, his older would ignore the youngster's requests. Joaquin did not let up, finally Kevin gave in and allowed the 8 year old cousin show his rapping skills. Impressed, Dyer took him under his tutelage and began to develop his talent. One day, Kevin asked Joaquin to sing, unsure of his vocal finesse, he reluctantly displayed his vocals. Dyer was pleasantly surprised and decided to become his cousin's manager.

Joaquin formed a group in Middle School patterned after Boys to Men named Strictly Central. They performed a song written by Musick titled "Why Can't We Get Back Together" in a talent show and won. Unfortunately, the group disbanded after two performances. Musick went solo, with the insistence, of Kevin Dyer...some time later, he entered a talent show. Joaquin stepped onto stage, opens his mouth and flawless notes permeate through the venue, little did he know he was dealing with a hostile audience and was booed off stage promptly. This incident shook his confidence, he decided abruptly and decisively he will not perform on stage again.

Two years ago, tragedy occurred, Kevin Dyer passed on. Joaquin was asked to sing at his cousin's memorial feeling unsure of his ability of singing, he became doubtful of his capacity to fulfill such a honorable request. "If I can sing at my cousin's memorial, I can do anything." said Musick. He sang for his heart out for his friend, mentor, manager, his big cousin Kevin Dyer.

Once Joaquin regrouped, he reached out to a friend Truenessia Combs-Ross who is also a singer, she in turn introduced him to a manager; he booked one show. This experience opened doors and met musicians who enjoyed working with him as he working with them. Because of artistic differences the manager and himself parted ways. He and his cousin formed a writing team and publishing company, Pendamonium.

He decided to book his own shows, because he did not want to be "handled." He enjoys being an independent artists. Joaquin is a hands on artists, he enjoys the artistic freedom and control. He performs all original material and seldom does cover song in his shows or recordings. Musick has a sizable following on the music scene. Musick is also working with a couple of local bands: One Night Stand, R&B band. Black Rose, R&B and Pop band, and Illphonics, Hip-Hop band - which consists of one rapper, four musicians. CB and Keith aka Black and Brew, members of Illphonics worked on Joaquin Musick's album "All Mixed Up." Joaquin came up with the name of the album, because the emotions of each song takes the listener on a in depth, close and personal journey into his life at that particular moment in time.

 http://www.facebook.com/pages/JoaquinWah-Keen-Musick/261044123921316
 https://twitter.com/JOAQUINMUSICK
 http://www.youtube.com/watch?v=zV1Y1xJFTDE
 1459WEST
www.youtube.com
 JOAQUIN - All Mixed Up
www.datpiff.com
             










SPECIAL EFX


 George Jinda & World News   SPECIAL EFX


Special EFX has been my vision of what contemporary instrumental music should be.

                                                     ~ Chieli Minucci

 George Jinda and Chieli Minucci formed one of the most prominate contemporary jazz bands to date. Special EFX's beginning dates back over two decades. When a pair of musicians Chieli Minucci and the late George Jinda met during a series of jam sessions in a New York loft. Minucci and Jinda formed Special Delivery and landed a recording contract with Keystone Records in Holland in 1982. GRP picked up their first LP Special EFX for USA distribution, they renamed the group Special EFX in 1984.

By the winter of 1992, the vision began to take shape. Their sound help format Contemporary Jazz through the 80's and 90's. The group had a heavy World Music vibe and ventured into Progressive Rock, Acid Jazz, and Rhythm and Blues influence. The smooth romantic guitar of Chieli was a perfect compliment to Jinda's wide ranging global percussion. Special EFX released 13 albums before artistic differences separated the two in the mid 90's. Jinda continued with Special EFX and released Here to Stay in 1996, Minucci embarked on a successful solo career. George Jinda suffered a devistating asthma/diabetic attack which left him battling Myoclonic Disorder, a neurological condition. Chieli returned to Special EFX when Jinda became ill to keep their vision alive. Sadly, George Jinda passed away in 2002.

The pairing of Chieli Minucci and George Jinda produced a sound that is used as a blueprint in today's music. They blended sounds, and textures of music around the globe, added a little of this this from one genre, a pinch of that from that genre, and they cooked up some music that soothes the soul. It could be funky and fun on one track to worldly almost spiritual the next. Special EFX lives up to their name.



A native of Budapest, Hungary, six years old George Jinda began playing piano and switched to drums at the age of 10. Tony Williams along with African and South American rhythms were inspirational. The latter became apparent with GRP albums (listed under Special EFX), which found him playing in a soft rock mode, tinged with Latin, Folk, and World Music Influences.Jinda's musical penchant moved from electronic programming to a more orthodox style, giving the a slightly contrasted sound. Jinda affirmed Jack DeJohnette his idol, he also expressed affection for Omar Hakim, Dennis Chambers, Dave Weckl, and Rodney Holmes.


In 1992, George played gigs in Tokyo, Japan with Miles Davis. He also returned to his homeland making an appearance at the World Music in Budapest which, he performed with fellow percussionist Mino Cinelu. Jinda worked with several notable Jazz musicians, as a side-man, co-leader and leader, including collaborations with Bobby Watson. Although untrained as a composer, Jinda wrote original music for his various groups.As time passed however, He also formed his own band George Jinda and World News in the mid-90's, members included Mark Johnson, Ed Hamilton, Scott Brown, Kirk Lyons, and Scooter Warner.


Guitarist, arranger, composer, music producer, Chieli Minucci studied classical piano at the age five and switched to guitar at the age of eight. His father, Ulpio Minucci a composer/concert pianist, influenced his son's musical direction. His teen years developed his love of performing, writing, singing and travel, at 13 years of age, he and some friends in his neighborhood formed the band Taurus. They performed at countless school dances and parties, local bars, and on the Italian Line Cruise Ships during Christmas and Easter school breaks.

Chieli attended Ithaca College in upstate New York majoring music theory, history, composition, big band arranging, and an English major. He joined various local groups during his college years: Amethyst- folk/pop trio; The New Band- fusion-jazz/rock; Fast Food- new wave vocal/rock quartet; Gumbo- instrumental/fusion rock; Columbo- Brazilian Trio. His college experience shaped his future as a composer, when he returned to New York, he studied composition with Nicholas Fagello.

While writing his own music, he worked with- The Commotions, Fran Eckhart, China Davis Band, and Sapho. He delved into pop vocal music, teaming with Bobby Mathews and Norman Simon. Minnuci performed with various groups- a two year stint with Eartha Kitt; The B.B.&Q band, and the Lou Reed Band- featuring the rhythm section of Fernando Saunders, bass and JT Lewis- drums (which became the starting line up with Special EFX), he also participated at the original Farm Aid Concert with Lou Reed.

Minucci has recorded and performed with Celine Dion, Lionel Richie, Jennifer Lopez, Jewel, Mark Anthony, Jessica Simpson Anastacia; jazz artists Marion Meadows, Jay Beckenstein, Gerald Veasley, Lao Tazer, Nestor Torez, Bob Baldwin, Kim Waters, Alex Bugnon, Bobby Caldwell and others. He wrote the themes to Bloomberg Radio, Access Hollywood, The 700 Club. He was nominated for 10 Daytime Emmy Awards and won three in 1998, 2007, 2008. Cheili composed music and produced soundtracks for two Live Nation/Nickelodeon stage productions of tv's Dora the Explorer- Dora's Pirate Adventure and The City of Lost Toys, and the British children's television show Thomas and Friends Live! and Thomas Saves the Day! He contributed music to films Bowfinger (1999), Legally Blond (2001), Panic (2000) and Lifted (2007).






 http://www.allmusic.com/artist/george-jinda-world-news-mn0000540724
 http://www.chielimusic.com
 http://www.allmusic.com/artist/special-efx-mn0000001242


DISCOGRAPHY






1984 GRP
1985 GRP
1986 GRP
1987 GRP
1988 GRP
1988 GRP
1990 GRP
1991 GRP
1992 GRP
1992 Samson Music
1994 Samson Music
1995 Samson Music
1996 JVC Compact Discs
1999 Shanachie Records
2001 Shanachie Records
2003 Shanachie Records
2010 Chieli